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T H E
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S O C I E T Y
W E B - T I D I N G S Extracts from Tidings: Spring 2009 the quarterly newsletter of the Teddington Society previous | index | next |
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The Spring 2009 issue of Tidings includes the following:
Letter from the Chair
The switching-on of Teddington's Christmas lights was a great success with more music, stalls and events for children than in previous years. This takes much organising and we are very grateful to those who have found the time and energy to raise our spirits. Another delightful event that evening was the opening by the Mayor of the Powder Room gallery on the railway bridge which is a considerable addition to the cultural life of Teddington. This week we had the Teddington Society's New Year Party which, as always, was an enjoyable occasion and helped to lift the January gloom. May I wish you all a New Year that is happier and more prosperous than 2008.
From the Editor
On a personal note, welcome to 130 LITHO as our newest Corporate member. My sincere thanks go to them for the patience and tolerance that they have shown me.
Tributes to Peter Matthews
Born in 1921, Peter was brought up in Chingford and after service in the RAF (described by Philip Whiteman) trained at the Architectural Association School. He was later to become a head of department at the St. Martin's School of Art. Peter's experience and integrity as an architect, his appreciation of craft skills and his meticulous approach to planning issues enabled him to make invaluable contributions to the work of the Planning Group. He was also, for many years, the Teddington Society representative on the council's Conservation Area Advisory Committee, which vetted sensitive proposals across the borough. He cared deeply about the defence and enhancement of our built environment. Even when confined to bed in Teddington Hospital he continued to take a keen interest in the work of the Planning Group. Before his illness he took a leading role in the discussions with Marks & Spencer on the design of their new store in the High Street; his sound judgement persuaded M & S to make a number of significant improvements. Peter was a man of high moral probity with an artist's eye for form and a craftsman's concern for detail. His death is a great loss to all who knew him. Michael Foss Peter the Aviator During the Second World War, Peter trained as a pilot in North America under the auspices of the Arnold Scheme. To his frustration, along with other trainees who showed exceptional abilities with he was 'creamed off' as an advanced flying instructor on single-engine aircraft. Thus, although Peter got to fly fighters, it was never in combat. "Very frustrating at the time," he said "but probably the reason I survived the war". Training was nevertheless fraught with danger, and Peter would never forget the many accidents he witnessed. Not all involved injury, and some involved an element of humour. Among his charges were Chinese students, one of whom ignored Peter's order to abandon the aircraft he was flying when its electrically- operated variable-pitch propeller failed, causing the engine to over-rev. The engine lasted just long enough for the student to land the aeroplane, then exploded. "The subsequent fire was so intense that it reduced the airframe to a puddle of molten aluminium," recalled Peter. "Ironically, the one major component to remain intact was that wretched electric propeller." After the war, Peter trained as an architect with Frank Lloyd Wright. When prevailing restrictions on the amount of money British citizens could take out of the country threatened to curtail his training, the famous American architect underwrote Peter's fees - an act of generosity that Peter never forgot. Peter continued to fly for the pleasure of it, latterly making an annual pilgrimage for gliding holidays at the Long Mind. He only gave up flying when heart problems prevented him from manhandling gliders at the launch point, and he felt that he could no longer play a full part in the club's activities. Although he was then confined to what he called "armchair aviation", he continued to paint pictures of aviation subjects, and delight grandchildren and other visitors alike with the model aircraft he built and occasionally flew in the confines of his house. Philip Whiteman |
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